Scroll to top

在空襲的當下:擴增實境式沉浸式表演計畫

交流合作

Intro

計畫內容

 

本計畫由財團法人數位藝術基金會製作,邀請三缺一劇團合作編導及演出,以擴增實境技術為技術主體框架,連結空間、戲劇空間、表演者以及觀眾,邀請觀眾透過 Magic Leap One 擴增實境裝置,在空間中自主觀看、漫遊,與空間以及表演者互動,創造出虛擬影像與實體空間交疊的劇場觀賞經驗。伴隨著地耆老的口述與家族的記憶,帶觀眾重回美軍空襲的當下。

 

 

 



導演魏雋展:「這個合作,是應數位藝術基金會的邀請,以擴增實境技術(AR)為主體,請擅長說故事的三缺一劇團去發想一個有趣的AR小品。許多人是這麼說的,虛擬實境(VR)是觀落陰,戴上眼鏡後直接去另一個世界,但擴增實境(AR)則是看到鬼,你在原本的空間裡,看見幻象。 因為AR是虛幻的幽靈而觀者身處的空間是實體,虛與實對話和辯證在擴增實境裡面,會是很本質性的東西。同時演員的肉身也是一個實體的存在,她如何對應到虛幻的國族記憶或是個人家族史的記憶,也是我們在這次實驗性的小品中探討的。最後,一場半敘事半展覽的私密旅行就此誕生。」

This cooperation was produced by Digital Art Foundation, who invited Short One Player Ensemble to direct, write and perform. They applied AR techniques as the major framework, then connected the space, the performance, the performers, and the audience. Through the Magic Leap One AR device, the audience are invited to view, roam and interact with the actress in the room autonomously, creating a specific theater watching experience with virtual images and solid space combined. Along with elder people’s oral stories and family histories, this work takes the audience back to the moment of the US Army Air Raid.

As the director, Chun-Chan Wei says, “This cooperation was invited by the Digital Art Foundation for us, One Player Short Ensemble, who is good at telling stories, to develop an interesting AR short piece of work by using AR techniques. Many people put it this way: VR is like a blindfold Taoist ritual; after wearing the glasses, you’ll be in another world. AR, however, is like seeing a ghost, seeing illusions in an original room. Because AR is like an illusory phantom, but the audience is right inside a solid roomage, the comparison and conversation between “virtuality and reality” will be an essential issue while we are applying AR. Meanwhile, the actress’s body is a solid existence, so we also had to explore how she could correspond to a shadowy collective memory or a personal memory of family history in this experimental piece of work. After developing, a half-narrative and half-exhibiting private journey was therefore launched.”

Time & Locations

階段性呈現時間與地點

2019年10/11-13
台北市中山區新生北路二段 某巷弄地下室

October 11th-13th, 2019

A Basement, Somewhere in an alley

Section 2, Xinsheng North Road, Zhongshan District, Taipei

Staff

製作群清單

導演:魏雋展

副導演:周翊誠

演員:江寶琳

聲響設計:黃思農

燈光設計:劉柏欣

動作設計:王宇光

服裝設計/妝髮:范玉霖

技術統籌/舞台監督:林育全

AR程式製作:江翊瑋

AR程式製作顧問:翁哲川

技術顧問:蔡遵弘

執行製作:吳伯山

數位影像製作:上為科技

劇照攝影:林育全

製作單位|財團法人數位藝術基金會 https://www.dac.tw/

演出統籌單位|三缺一劇團

專案補助|

108年文化部「表演藝術結合科技跨界創作」補助(財團法人數位藝術基金會)

國家文化藝術基金會演藝團隊年度獎助專案(三缺一劇團)

Director: Chun-Chan Wei

Assistant Director: Stanley Chou

Actress: Pao-Lin Chiang

Sound Effect Designer: Snow Huang

Lighting Designer: Po-Hsin Liu

Choreographer: Yeu-Kwan Wang

Costume Designer/ Makeup Designer: Yulin Fann 

Technical Coordinator/ Stage Manager: Yu-Quan Lin

AR Programmer: Yi-Wei Chiang

AR Programmer Consultant: Che-Chuan Weng

Technical Consultant: Tsun-Hung Tsai

Digital Image Production: Shan-Wei Technology

Executive Producer: Po-shan Wu

Photographer: Yu-Quan Lin

Producer: Digital Art Foundation https://www.dac.tw/

Performing Coordinator: One Player Short Ensemble

Government Subsidies for Project:

2019, Ministry of Culture, “Performing Art and Technology Transboundary Co-creation” Grant Project (Digital Art Foundation)

National Culture and Arts Foundation, Groups of Performing Arts Annual Project (One Player Short Ensemble)

※攝影:林育全