賀湘儀
表演/導演/教學/創作陪伴/芳療學習者
曾參與再拒劇團、黑眼睛跨劇團、莎妹劇團、河床劇團、EX-亞洲劇團、無獨有偶工作室劇團、讀演劇人等劇團演出，表演經驗橫跨物件劇場、偶戲、肢體劇場、獨腳戲等。為三缺一劇團創始團員，並於2017年擔任團長至今。2011年與魏雋展於三缺一劇團開啟「LAB計畫」，嘗試建立劇團的身體美學脈絡；2012年與魏雋展聯合編導獨腳戲作品《耳背上的印記》（The Mark），將個人的生命經驗轉化為台灣的集體記憶； 2014年導演《土地計畫首部曲—還魂記》（Come back from River），開啟對於環境議題的長期關注；2020年開始跨領域創作與合作，擔任視覺藝術家張紋瑄《魚尾獅是何時絕種的？—21世紀成功敘事學》（When Did the Merlion Become Extinct? —The Narrative to Succeed in the 21st Century）戲劇構作與表演指導、2021年擔任TIDF紀錄片工作者《記錄劇場：實驗067》(Documentary Theatre: Experiment 067)戲劇構作；2021年編導創作《陌生海》（The Unknown Ocean），嘗試將劇場視為感官的延伸，讓觀眾以身體感知，而非觀賞。
2016年與友人共同創辦友善環境品牌「Home Work / 家務室」，提供美好生活的永續提案；2019年接觸芳香療法，開啟嗅覺的道路。
三缺一劇團：https://oneplayershort.com
Home Work / 家務室：http://www.eco-homework.com
Hsiang-Yi Ho
Performer/ Director/ Instructor/ Advisor or Companion of Creators/ Aromatherapy Learner
Hsiang-Yi Ho has worked as a performer with Against-Again Troupe, Dark Eyes Performance Lab, Shakespeare’s Wild Sisters Group, Riverbed Theatre, EX-THEATRE ASIA, The Puppet and Its Double Theater and The Cyclops Troupe before. Her performing experiences are various in different fields, including musicals, parent-child plays, realistic plays, body theatre, puppetry, object theatre, etc. She was one of the initial members of One Player Short Ensemble, and has been the head of the ensemble since 2017. In 2011, she started the LAB Project in the ensemble with Chun-Chan Wei, trying to set up the sequence or theory of the ensemble’s unique body aesthetics. Based on her personal experience, she co-directed and co-wrote the work, The Mark, with Chun-Chan Wei and later transformed it to connect with Taiwanese collective memory. In 2014, she directed Land Project I: Come back from River, which initiated her attention and inspired her to care about environmental issues. Starting from 2020, she has been involved in interdisciplinary creations and cooperations: In the work When Did the Merlion Become Extinct? —The Narrative to Succeed in the 21st Century, she cooperated with the visual artist Wen-Hsuan Chang as the dramaturge and performing advisor; in 2021, she was the dramaturg in Documentary Theatre: Experiment 067 of TIDF. In the same year, she wrote and directed the work The Unknown Ocean, exploring to regard theatrical work or space as the extension of sensation. That is, to make the audience “feel” rather than only watching.
In 2016, she started an eco-friendly brand “Home Work” with her friends, to propose the idea of environmental protection. She started to learn aromatherapy to open up the road to sense of smell in 2019.
One Player Short Ensemble：https://oneplayershort.com
Home Work：http://www.eco-homework.com
| 學歷 輔仁大學中國文學系 國立臺北藝術大學劇場藝術創作研究所表演組 |
| 演出作品 2021 三缺一劇團《土地計畫貳部曲：國姓爺之夢》 2020 驚喜製造X進港浪製作《明日俱樂部》 廖建華導演、阮慶岳文本《山徑躊躇—我的小說拯救計畫》 囝仔人《灶腳》 2019 驚喜製造X進港浪製作《明日俱樂部》 雨都漫步《陰光普照事務所》 無獨有偶工作室劇團《微塵‧望鄉》 台北市立國樂團＋無獨有偶工作室劇團＋TCO合唱團《我的媽媽欠栽培》 三缺一劇團《蚵仔夜行軍》 楊雯涵作品《飄》 2018 三缺一劇團《退休戲劇教授和戲班子──2018邀莎翁遊台灣》 莎妹劇團《SMAP X SMAP》 |
| 導演作品 2021 三缺一劇團《陌生海》 2016 三缺一劇團《土地計畫首部曲──還魂記》 2013 三缺一劇團《大宅門‧月光光》 2012 三缺一劇團《耳背上的印記》 |
| 創作合作 2021 TIDF《記錄劇場：實驗067》，戲劇構作 2020 張紋瑄《魚尾獅是何時絕種的？—21世紀成功敘事學》，戲劇構作/表演指導 |
| 教學 三缺一劇團 「說自己的故事」創作工作坊，授課老師 「物件遊戲」工作坊，授課老師 「動物轉化」工作坊，授課老師 2017 電影《紅衣小女孩2》，表演指導 Studio Q 表演教室，耕作計畫授課老師 輔仁大學理圖劇場「從表演到創作」，授課老師 藟艸合作社「南方定位系統」戲劇創作課，授課老師 華碩「藝術體驗社」與和碩「表演藝術社」，授課老師 Jupiter Room 「獨白工作坊」，授課老師 台北市立大學「愛與希望故事團」，表演與創作老師 衛武營國家藝術中心「動物轉化」工作坊，授課老師 藝教館戲劇夏令營，戲劇老師 華岡藝校戲劇科，兼任老師 輔仁大學戲劇社，導表課指導老師 淡江大學實驗劇團，表演指導老師 |
| 其他 Home Work/家務室，共同創辦人 |