默劇創作 Mime Creation

默劇這個古老的藝術，並不單單指無語言的表演，

相反的，它更在強調凝鍊而詩意的身體語言。

說簡單，默劇是召喚空間並變換形體的魔術(藝術)，

如何召喚一片森林、如何一人分飾多角、如何成為一片大海……

什麼道具都不用，只需要你的身體加上富於冒險的想像力! 

The ancient art of mime does not simply refer to non-verbal performances.

Instead, it actually emphasizes more on the refined, poetic body language.

Simply put, mime is a magical form of art that creates space and transforms objects. Not only is it able to conjure up an entire forest, but it also allows an actor/actress to play different characters and to transform him/herself into an ocean. No props are needed — your body and your adventurous imagination themselves will suffice!

大眾班、孩童班(中高年級)

Class for Children (3rd to 6th grades), Class for General Public

大眾班、孩童班(中高年級)班

建議上課方式：1-3天(2-6個時段)

身體的喚醒

默劇是高密度的身體語言，因此需要先練習將身體各個關節喚醒，同時學會使用恰到好處的肌肉，讓全身各處都開始能有發聲的能力和欲望。

波動的旅程

世間的萬物都有自己的波動，因此要召喚不同的生命就必須先處理最基本的各種波動，從而慢慢變形成不同類型的生命體，在身體甦醒之後，我們會進入到萬事萬物的波動裡感受生命的脈動。

幻覺的招喚

如何在空無一物的地方建立出一個明確而有限制的空間或物件呢? 這是許多人對默劇的基本印象，讓我們一起走入這麼迷人的魔術裡吧！

鏡頭切換

在電影鏡頭出現以前，表演者得用自己的身體來處理各種鏡頭，如何融進融入、快速切換，或是創造局部特寫和長鏡頭? 如何一人分飾兩角或是帶領觀眾用不同視角去觀看一個演出呢? 讓我們一起來研究用身體處理鏡頭切換。

團體創作

我們會從許多單人的創作性練習，進入到雙人或團體的創作性練習，並開始更自由的選擇主題。

Class for Children & Class for General Public

Suggested schedule: 1-3 days (or 2-6 sessions)

Waking up the Body

Mime is a condensed form of physical language, so the first step is to practice how to limber up and learn how to use muscles efficiently, in order to make every part of the body ready to express itself.

Journey of Waves

Everything has its own waves. If we want to deliver the most lively performances, we have to process the most basic of waves, and, step by step, transform them into various “lives”. Therefore, when every part of the body has been awaken, it is time to dive right into the waves of all things in the world, feeling the pulse of their lives.

Creating Illusions

How do we create a seemingly concrete, restrained object or space in an empty room? This is what most people generally think of when thinking about mime. Let us dive right into this fascinating world of magic!

Shots

Before camera was invented, performers created different “shots” using their own bodies. So, how are we able to fade in, fade out, cut in, cut out, zoom in, zoom out, close up and take a long shot through body movements? How is an actor/actress able to play two roles at the same time or to have the audience look at their performance from a different viewpoint? This part of the workshop teaches you how to deal with different shots by using body movements.

Group Creative Practice

We will move from individual creative practices to pair work or group work, and allow students more freedom to choose the topics on which they want to work.