三名演員，六根竹竿，一張塑膠布，

瘋狂的想像力與極簡而細膩的物件劇場，

演繹一則馬來西亞口耳相傳的鬼故事。

每當月光光的夜半時分，怡保的街頭就會異常寧靜。所有人家都會家門緊閉，小朋友們躺在床上把自己包得緊緊的，害怕聽見敲門聲響：

「有沒有奶水可以給我的孩子？」

她會挨家挨戶得敲門詢問。
傳說中，如果沒有奶水可以分享，家中的小孩就會被她帶走，再也回不來。三個好奇心旺盛又冒冒失失的臭小孩，決定今晚不要躲在棉被裡，半夜相約要去竹林深處「抓女鬼」。這一去，沒抓到鬼，反倒是揪出女鬼生前不為人知的真實故事……

三缺一劇團以物件劇場的形式轉化傳統戲曲中「一桌二椅」、「境隨心轉」的無窮變化，用一個小時、兩種物件、三位演員，回到70年代經濟起飛的怡保，一探究竟。

Three actors, six bamboo sticks, and a piece of plastic cloth. 

Wild imagination and simplistic yet exquisite object theatre — to depict a well known Malasian ghost story. 

Every time when the moon comes out in the middle of the night, the streets in Ipoh becomes oddly quiet. Every family would shut their doors tight, and the children would cover themselves with quilts in bed, fearing they might hear: 

“Do you have any breast milk for my baby?” 

She would go house by house asking. 

They say, if you don’t have breast milk for her baby, she will take the children in the family and never returns. Tonight, three harum-scarum curious little kids decide not to hide in their beds, and go deep into the bamboo forest to “capture the ghost lady”. As they went in, instead of catching the ghost, they end up digging out the unknown true story of the lady when she was alive… 

One Player Short Ensemble maneuver the transformational idea of “one table two chairs”, “one place in every place” in traditional chinese opera with the sense of object theatre. Two kinds of objects, three actors, in an hour, to bring the audience back to Ipoh in the 70’s at economic takeoff, and find out what happened.