Intro
演出簡介
退休教授Ｘ戲班子導演的人生雜談
離開城市落腳田園的教授 馬汀尼
剛任新手爸爸的劇場編導 魏雋展
兩人在劇場暢言唱奏
撫慰人生滄海桑田中走針的皺摺
七〇年代甜蜜的彰化和美Ｘ羅密歐與茱麗葉
九〇年代陰雨的基隆海港Ｘ哈姆雷特
一八年遠離天龍國的台東Ｘ皆大歡喜
用莎劇的框架結合島國時空， 透過多層次的敘述，意圖回首轟然消逝的來時路。
導演馬汀尼說， 童年時期曾被母親吩咐去買菜回家做晚飯， 歸途上，卻因為抬頭看見家屋頂上那一輪壯麗的夕陽餘暉，而被震懾得動情而忘我， 「後來我回到家，整籃菜卻這麼給遺留在路上了。」 這是一場二〇一八的莎劇在台北，也是一只被置放在夕陽滿天下的豐盛菜籃。
而不得以溫飽的戲子們，仍試著用夢的溫度，溫飽願意來看戲的人。
一首熱烈奔放的青春輓歌
七〇年代甜蜜的彰化和美Ｘ羅密歐與茱麗葉
和美紡織廠的公子哥羅密歐愛上眷村長大的外省女孩朱麗葉，在一場械鬥之後一切都變了樣。
一場腥風血雨的成年禮
九〇年代陰雨的基隆海港Ｘ哈姆雷特
一個正在排練《哈姆雷特》的導演，卻在自己的人生中上演著哈姆雷特的情節。
一處你躲我藏的真心避難所
一八年遠離天龍國的台東Ｘ皆大歡喜
他靠著錄音計畫《皆大歡喜》想拆穿她與她的扮演，她靠著扮演不經意洩露自己的真心。
Life Chatter Between the retired professor and the troupe director
Tin-Ni Ma, the professor who gets away from city and settles down to an idyllic life.
Chun-Chan Wei, the theatrical director who just becomes a new dad.
In theater, together they have their says, sing in harmony, and soothe the heartstrings which were out of tune in years of life.
Charming Hemei Township, Changhua in 70s X Romeo and Juliet
An overcast and rainy Harbor City, Keelung in 90s X Hamlet
A country far away from Metropolitan region, Taitung X As You Like It
In this play, we integrate Shakespeare’s framework with time and space of this island country with narratives in multi-layers, in attempt to depict the passage of time which abruptly vanished in retrospect.
As the director Tin-Ni Ma says, her mother asked her to go grocery shopping for dinner when she was little. On the way back home, when she looked up, she was stunned and moved by the breathtaking sunset of rosy clouds up on the roof. “Then I came back, the whole basket was left by the roadside.” It is a 2018 Shakespeare’s Play which takes place in Taipei as well as a sumptuous basket which is left under the gorgeous sunset.
Troupers, who hardly keep themselves from hunger, try to feast the ones, who are willing come to see the play, with the cozy dreams.
A passionate and dashing elegy for youth
In Charming Hemei Township, Changhua in 70s X Romeo and Juliet
A pampered boy of Hemei manufacturer, Romeo, falls in love with Juliet, a mainland girl grown up in military village. After a gang fight between different ethnic groups, everything are different.
A rite of passage with great bloodshed
In an overcast and rainy Harbor City, Keelung in 90s X Hamlet
A director who is rehearsing Hamlet happens to encounter Hamlet scenario in his real life.
A heartfelt shelter where they play truth or dare
In a country far away from Metropolitan region, Taitung X As You Like It
With the recording project As You Like It, he tries to see through her and her roleplay. With her roleplay, she reveals her heart by accident.
2018莎翁羅朱07_攝影林政億
2018莎翁羅朱06_攝影林政億
2018莎翁羅朱04_攝影林政億
2018莎翁皆大歡喜01_攝影林政億
2018莎翁皆大歡喜05_攝影林政億
2018莎翁皆大歡喜04_攝影林政億
2018莎翁哈姆雷06_攝影林政億
2018莎翁哈姆雷05_攝影林政億
2018莎翁哈姆雷03_攝影林政億
2018莎翁皆大歡喜06_攝影林政億
About The Director
導演介紹
馬汀尼
1978年首次登台表演黃建業導演作品《凡人》，同年加入蘭陵劇坊。1983年到紐約進修表演，回台後執教於臺北藝術大學戲劇系及劇場藝術研究所25年，作育無數島內劇場表演人，是傳說中功力高強能使人脫胎換骨的表演老師。於2011年退休，落腳台北市郊享受田園生活，近年潛心譯作契訶夫劇本。於2018年重披戰袍，演出蘭陵四十《演員實驗教室》，並重執導演筒，再次拿起那把劃破現實的小刀。
劇場導演作品有1987年《馬哈台北》（與鍾明德合導）、 1989年《雅克和他的主人》、 1991年《三個乖張的女人所撰寫的匪夷所思的女性論文》、 1993年《亨利四世上下》 、1999年《仲夏夜夢》 、2004年《好久不見》 、2006年《威尼斯商人》、 2013年《冬天的故事》；曾演出舞臺劇《荷珠新配》《貓的天堂》《演員實驗教室》《冷板凳》《明天我們空中再見》《祝你幸福》《重新開始》等多部。著有《莎劇重探》，譯作包括《貓脖上的血》《演員與標靶》《凡尼亞舅舅》《三姊妹》《伊凡諾夫》《海鷗》《櫻桃園》等。
Tin-Ni Ma made her debut in Chien-Yeh Huang’s work Fan-Ren in 1978, and joined Lanlin Theatre Troupe in the same year. She went to New York in 1983 to further her study in theatrical performance. She was teaching in the Department of Drama and Theatre and the Graduate Institute of Theatre Performance and Playwriting, TNUA, for 25 years after she came back to Taiwan. She has raised and educated innumerable performers on this island and was known as a performing master whose skill is high enough to shed the students’ mortal body. She retired in 2011, settled in suburban Taipei city, and enjoyed a pastoral life. She has been concentrating on translating Chekhov’s plays in recent years. In 2018, she returned to the field, performed in Lanlin 40 Experimental Actors Studio. Afterwards, she came to direct again and raised the knife which can pierce through the reality.
Staff
製作群
導演：馬汀尼
劇本發展：丁名慶、魏雋展
編劇：許正平
導演助理：徐堰鈴、賀湘儀、魏雋展
演員：王元宏、江寶琳、李玉嵐、何冠儀、杜逸帆、徐堰鈴、陳天愛、陳家逵、賀湘儀、張智、張雅筑、張文易、黃志勇、黃士勛、曾憲莫、詹馥瑄、劉唐成、魏雋展（依姓氏筆畫排序）
燈光設計：陳智康
舞台設計：黃彥文
造型設計：鮑可瑜
音樂設計：黃思農
平面設計：張閔涵
劇照攝影：林政億
製作人：陳汗青
舞台監督：張以沁
排練助理：鄭鈺儒、羅德弘
執行製作：吳可雲、虞淮
Director: Tin-Ni Ma
Script Developer: Ming-Qing Ding, Chun-Chan Wei
Playwright: Cheng-Ping Hsu
Director Assistant: Yen-Ling Hsu, Hsiang-Yi Ho, Chun-Chan Wei
Actor: Yuan-Hong Wang, Pao-Lin Chiang, Yu-Lan Lee, Guan-Yi Ho, Yi-Fan Du, Yen-Ling Hsu, Tian-Ai Chen, Chia-Kuei Chen, Hsiang-Yi Ho, Chih Chang, Ya-Chu Chang, Jennifer Chang, Zhi-Yong Huang, Finn Huang, Amo Tseng, Fu-Xuan Zhan, Tang-Cheng Liu, Chun-Chan Wei
Lighting Designer: Zhi-Kang Chen
Stage Designer: Yen-Wen Huang
Costume Designer: Ke-Yu Bao
Music Designer: Snow Huang
Graphic Designer: Min-Han Chang
Photographer: Terry Lin
Producer: Han-Qing Chen
Stage Manager: Yi-Hsin Chang
Rehearsal Assistant: Yu-Ju Cheng, Evan Luo
Executive Producer: Ann Wu, Huai Yu
Tours
巡演經歷
2018年11/2-4 雲門劇場
Other Events
延伸演出與活動
2019年受邀至清華大學藝術中心舉辦「表演藝術專題─莎劇在台灣」，包含《莎劇之夜》示範演出，擷取《羅密歐與茱麗葉》與《哈姆雷特》的片段來做示範演出，講解如何使莎劇在地化，翻轉成台灣的脈絡。另外搭配「莎劇表演訓練工作坊暨成果展」，由馬汀尼老師、三缺一劇團藝術總監魏雋展、三缺一劇團團長賀湘儀共同帶領十堂課程，體驗演員如何一步一步建立起身體的存在感還有語言的音韻，同時保有真實自然的情感，走入莎劇的角色中。
In 2019, One Player Short Ensemble is invited to carry out “The Performing Art Project, Shakespeare in Taiwan” by NTHU Art Center. The demonstration performance of extracted pieces from Romeo & Juliet and Hamlet taken place at “The Night of Shakespeare” will explain how to localize Shakespeare’s plays and then intertwine them with historical space-time of Taiwan. Apart from that, the professor Tin-Ni Ma, the artistic director Chun-Chan Wei and the head of One Player Short Ensemble Hsiang-Yi Ho will have 10-session course in “Shakespeare Performing Workshop and Display.” In the workshop, participants can realize how to construct the physical existence and language rhythm step by step, and meanwhile maintain the real and natural emotions while getting into the characters in Shakespeare’s plays.